What makes bad guy intimidating? Tantz Aerine made a great newspost about the question, carefully outlining various key bad-guy properties like confidence, composure, efficiency, and amorality. Banes, Pitface, Tantz and I stomp ALL over that, traipsing about like drunken, muddy rugby players, as we blather on about our opinions of the idea and finish up with no idea what we're talking about.
Seriously though it's a fascinating idea and it's really FUN to talk about some of our favourite really well constructed badguys that exemplify all the traits Tantz talks about! What are you faves? One of mine is James Earl Jones's character Thulsa Doom in Conan The Barbarian: He's utterly unflappable, even when Conan is literally cutting off his head, he's still convinced of his ultimate power over everything. Thulsa Doom is the best badguy ever.

This week Gunwallace has given us the theme to Fluffy 500: Speed, progress, movement! We advance, never reversing. We forge ahead, never rehearsing.

Topics and shownotes

Featured comic:
Crypts and Cantrips - https://www.theduckwebcomics.com/news/2018/aug/14/featured-comic-crypts-and-cantrips

Links:
Tantz Newspost: making bad guys intimidating - https://www.theduckwebcomics.com/news/2018/aug/03/making-bad-guys-intimidating/

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
Banes - https://www.theduckwebcomics.com/user/banes
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean

Featured music:
Fluffy 500 - https://www.theduckwebcomics.com/Fluffy_500/ , by IronHorseComics, rated T.

In this Quackcast we discuss the artistic coding used to represent males and females in comic art in a simple, minimal way. Pitface joins us, along with Banes and Tantz Aerine!
Much like an expert physicist is able to simplify enormously complex equations into something seemingly simple like E=MC2 a good comic artist simplifies the essence of what they're drawing into something that's immediately recognisable without a lot of complexity. We're mainly talking here in terms of drawing men and women. It sounds like the most basic, silly thing, but even pros with years of experience have trouble with it. Some of the art for the new She-Ra cartoon is a great example of that.

This week Gunwallace has given us the theme to Mob ties… Creepy sounds, a shady villa. Mystery abounds, who’s the killer?
Shadows trick, run and hide. Badguys slick, get outside.

Topics and shownotes

Featured comic:
Faded Garden - https://www.theduckwebcomics.com/news/2018/aug/14/featured-comic-faded-garden/

Links:
Cosmos song - https://www.theduckwebcomics.com/Cosmos_Song/

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
Pitface - http://www.theduckwebcomics.com/user/PIT_FACE/
kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/
Banes - https://www.theduckwebcomics.com/user/banes
Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean

Featured music:
Mob ties - https://www.theduckwebcomics.com/Mob_Ties/, by Author Ninja, rated T.

In this Quackcast Tantz and I chat about the differences between working with historical settings and the different approaches we take. Tantz's comics (Without Moonlight and Brave Resistance), are both set in a real period of history: Nazi occupied Greece during WW2. Pinky TA is set in the 1920s in an alternative version of history, with Pinky coming from the fictional “Crimean Empire”. Tantz has to keep times, places, and details close to real history while with Pinky TA I can pick and choose the things from history I like the best and create my own idealised pastiche. The advantage of Tantz's approach is that everything is there, nothing has to be invented, just researched and reproduced, whereas my approach involves a lot of creation which slows things down and makes it harder. On the upside Pinky TA is much more flexible, I can easily fit whatever I want into the story, whereas Tantz's comics are bound by the rules of the history she's presenting.
Tantz mentions a story by Alki Zei called Peter's Long Walk, a story by a Greek author depicting a fictional account of WW2 in occupied Greece. It shows the value of using the historical fiction approach.
I mention Tanya of the Evil, an alternative history anime set in WW1, which shows the fun entertainment value of alternative histories.

This week Gunwallace has given us the theme to It's Permanent. This is Old school southern rock, laconic, melodic, hard drinkin’, late night, whisky, beer and cigarettes. Play your cards right and you’ll be going home with the prettiest cowgirl…

Topics and shownotes

Featured comic:
Quixote Coyote - https://www.theduckwebcomics.com/news/2018/jul/24/featured-comic-quixote-coyote/

Links:
Pinky TA - https://www.theduckwebcomics.com/Pinky_TA/
Without Moonlight - https://www.theduckwebcomics.com/Without_Moonlight/
Peter's long walk - http://www.alkizei.com/en/works/108-petros-war

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean

Featured music:
It's Permanent - https://www.theduckwebcomics.com/Its_Permanent/, by UltimateZ, rated M.

In this Quackcast Tantz, Banes and I have a chat about the novels that influenced us when we were growing up. Each of us barely even touch on them but we do bring up some interesting titles… for Tantz it was the sexy comic Storm and the novel The gods of Foxcroft, for me it was the high fantasy of CS Lewis and JRR Tolkien, and later on SciFi by writer like Tanith Lee and her Don't bite the Sun and Drinking Sapphire Wine- both of which were very prophetic novels in the way they deal with hedonistic youth culture and the modern phenomenon of adults having extended childhoods while outsourcing more and more adult tasks to technology.
What were some of your most influential novels when growing up?

This week Gunwallace has given us the theme to Cataclysm 2: Welcome to a mysterious, exotic, magical place of dim shadows, deeply filtered sunlight, hanging bells, shimmering silks and the rich smell of spices…

Topics and shownotes

Featured comic:
One Heart - https://www.theduckwebcomics.com/news/2018/jul/31/featured-comic-one-heart/

Links:
The cover of “Storm” - https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcQ52AtfB87QPGiNJ24xrSiKsRUd3McVeveOpU4rhcBOR6yh1KT9

Special thanks to:
Gunwallace - http://www.virtuallycomics.com
Tantz Aerine - http://www.theduckwebcomics.com/user/Tantz_Aerine/
kawaiidaigakusei - http://www.theduckwebcomics.com/user/kawaiidaigakusei/
Banes - http://www.theduckwebcomics.com/user/banes
Ozoneocean - http://www.theduckwebcomics.com/user/ozoneocean

Featured music:
Cataclysm 2 - https://www.theduckwebcomics.com/Cataclysm_2/, by ArmandoB, rated M.