Tue, 9 September 2025
Today we're chatting about things that are ostensibly superficially straightforward, but are actually quite clever and layered in many ways. The two prime examples are Paul Verhoven's Robocop and Starship Troopers. They can both be taken as simply dumb, hyper-violent action films, but both are also good, solid, basic satirical critiques of society. Robocop is a critique of over-corporatism and commercialism, where the myth that “private enterprise does it better” is taken to an extreme. A company takes over the police and the governance of the city of Detroit. Policeman, officer Murphy is killed on the job, only to be revived as a cyborg and we find that the corporation owns him even after he's dead. He becomes their mindless robot slave. The whole film can be taken either as a violent action movie about a super robot cop blasting his way to justice, or as the story of a literal corporate slave on a journey to regain his own humanity and freedom and in doing so he has to murder the CEO of the corporation to free himself. Which is a very symbolic act for an American film where CEOs are seen as demigods. Starship Troopers can be taken as a simple story of brave solders flying into space and fighting back on a crusade against disgusting bug aliens that threaten earth. But we learn that the aliens were only after earth because humans threatened them first, and rather than being the underdogs, the humans are actually massively superior and the aliens are afraid… rather than fighting for our existence we're actually committing genocide (or xenocide), which was also the point of Ender's Game by Orson Scott Card. With that little bit of extra info all the testosterone, gun firing, soldier camaraderie, patriotism and support for the troops takes on a sinister edge. If we look at it with the right angle we see that they were Nazis all along. I really appreciate stories with those sort of simple layers that can be taken in two completely different ways. It can be very easy to fail at though when the audience doesn't see your other layer at all or your “clever” message isn't very clever or well delivered. Stories certainly do not need to have layers and alternate reading to be good. I appreciate simple straightforward stories that are as they appear to be. But these ones with single extra layer which means things have a very different and obvious reading are fun. Fight-club is famously that sort of story, when we find that Tyler Durden was imaginary all along and it changes your reading of the story, you can still just take it as it seemed in the beginning though. I think the Life of Brian qualifies as well: at the beginning we think it's a satirical version of the life of the messiah, directly making fun of Christ and the bible stories, but at the end we learn that Brian really was just a simple normal guy all along like he and his mum claimed and it changes to a story NOT making fun of Christ but rather the mindless populace who never really cared about Brian at all, they just overlayed a symbol on him and worshipped that instead which took away all his control and killed him in the end. Still, look on the bright side…. Do you like these sorts of stories?
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The QuackCast features Ozoneocean, Banes, Tantz Aerine, and Pitface, talking about writing, movies, webcomics, art, politics, philosophy, sexuality, and everything else! We're the hosts of the oldest webcomic host on the net, Drunkduck.com, aka theduckwebcomics. 20 years this year!
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