Tue, 10 February 2026
Myths and legends are a massive part of our culture. We have the original versions of them that still stay with us, mostly intact, but because of how important and well known they are we're always getting new versions of them that are changed and added to to reflect our contemporary culture. Big stories like King Arthur, Robin Hood, Beowulf, the Odyssey, The Journey to the West and many other stories keep getting new versions in our modern world. The Greek myths beings quite old, very detailed, and well written get a LOT of different versions, which has been happening since antiquity. Even the Romans like Ovid revised them, his versions were made to reflect his own cultural and political realities. Most recently there's the Nolan version of the Odyssey coming out. Some are annoyed at the various non-white people in certain roles, but that's a trend that's been popular for about 30-40 years or so and simply reflects our modern diverse cultural and ethnic makeup. The only thing that irks me are the stupid costumes and reinterpretation of the armour, but also the silly commentary concerning it- on one hand you have supporters of the crude fantasy styles in the film and on the other supporters of ancient Mycenaean styles. Beowulf shows up in various ways, there are direct and indirect interpretations. One of the interesting aspects is that people use the monster, Grendel, for their indirect interpretations- Everything from Friday the 13th (the first one), to Frankenstein (at least as an inspiration to the various adaptations), Jaws, The 13th Warrior, Split Second (a monster in futuristic flooded London), you could even include Predator and Alien. Journey to the West is a very important story to many cultures in eastern Asia because it's tied closely with Buddhism and the spread of that religion on the continent. It was important to me when I grew up with endless TV repeats of the dubbed Japanese series Monkey Magic, starring Masaaki Sakai, Japanese pop sensation (The Spiders), and perennial charismatic TV personality. It featured comedy, endless fighting with demons and monsters, and the retelling of various stories. This version was so popular that people have remade it rather than just the myth itself, and it's inspired films and TV shows with the costumes it used for the characters. Many others now know the myth through the Dragon Ball anime and Manga, with Goku as the Monkey King. Disney's anthro version of Robin Hood had a gigantic impact on the creation of furry culture. The King Arthur myth, focussing on the heroic journey of a random, scruffy orphan into a prophesied king of a nation shows up everywhere in fantasy and Scifi, examples include Star Wars and the fantasy series The Belgariad and Malloreon by David Eddings and many others, including more direct versions like Monty Python's Quest for the Holy Grail, Disney's Sword in the Stone, and the fantastic Excalibur. The Jewish myth of David and the giant Goliath show up over and over in things too because of the focus on an underdog who triumphs despite huge odds and then goes on to become a famous ruler. What are your fave myths that keep on inspiring popular culture (directly and indirectly), and what is your fave version? This week we have another best off from Gunwallace and this time it's - Ripping off King Arthur - We’re all preparing for the big event here with this theme. It’s a weird mixture of a Rocky theme, fantasy epic, and 8 bit video game music… as if were were about to see a pixelated, medieval fantasy themed version of Mortal Kombat! The fight showdown to end all fight showdowns! - I chose this because it mentions King Arthur, a mythical figure. Topics and shownotes Links Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Direct download: Quackcast_778_-_My_amazing_idea_Ha_ha_ha.mp3
Category:Webcomics -- posted at: 12:00pm PST
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Tue, 3 February 2026
Today we're talking about bad feedback. This was inspired by Tantz's newspost about the webcomic management site Hivemind two weeks ago that used belittling tactics and bad feedback to break down and control the webcomic artists who were managed by the site. Bad feedback can be extremely harmful to a creator. We're not talking about harsh criticism, we're talking about useless criticism who's only purpose is to make a creator feel bad about their creation. The cover image here is from a picture by me. I had it up on the fantasy art site “Epilogue” back in the day. That site had started out as a cool place to post fantasy art and I had been invited to display my art there in the early 2000s, but by the time I posted that pic it had a weird system in place where they had people reviewing the art before it was allowed to be displayed. I remember that some entitled idiot gave me useless feedback that was something along the lines of “This isn't good enough for this site yet, it needs fixing…” -That's paraphrased. Basically it was pointless, unhelpful gatekeeping on a site that was there for creators, on which I'd been invited to participate with. Creators need to be supported and helped. That doesn't mean telling them extra-positive lies, just as it doesn't mean unhelpful pseudo-criticism It means praising them for what they did right, for the effort and the bravery of creation, and being genuinely helpful with advice and criticism in a way that they can use and be receptive. If you can't do that then learn HOW to. What's the most helpful or unhelpful criticism you have received? This week Gunwallace has given us a great little theme to Through the Window - Flamenco, Latin, fast stepping, toe tapping, heel stomping to this powerful rhythm that wants to get your body up and moving, swaying and spinning on the dance floor, shimmying with your partner, fast and intense!
Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
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Tue, 27 January 2026
We're doing another Quackcast on the separation of the art from the artist, which was inspired this time by Gunwallace's Thursday newspost about the death of Dilbert comic artist Scott Adams. I can usually separate the art from the artist and I used to really enjoy Dilbert but he seemed to have a sudden personality change into strange politics and conspiracy thinking during the 2016 US presidential election. It got so bad that I couldn't support reading new Dilbert strips as my daily comics read anymore because I knew that directly supported him, so I wasn't able to separate the art from the artist in that instance. Can you separate the art from the artist? If not in all cases, are you able to do it in some? We also chat abut how some creators make themselves more important than their work, so that in the end they almost become the main creation themselves and their work is secondary. That leads us into the territory of the “influencer”. So called influencers have always existed but it's only during our modern social media dominated age when it's become such a popular phenomena. It can be very annoying when real creators crossover into becoming “influencers” but that usually actually makes it easier to separate their creations from them because as products the art and the artist become very different things. Tantz poses the question during the cast, asking if we can separate her from her work, and I wasn't sure if I could. After listening to the Quackcast can you separate us from our art? Can people separate you from your art? This week we have another best off from Gunwallace and this time it's Dragons in Civilized Lands - Compelling, foreboding, panoramic, an epic landscape is slowly revealed below as you swoop on down through the grey clouds… the view spreads, wider and wider… cold mountains rear, vast stretches of icefields, patchwork fields, and a huge carpet of forest, past the occasional fort high on a hill, we narrow in on a clash between two brightly armoured hoards. Bright crimson flecks the shiny armour, brightly coloured pendants wave in the wind. Horses snort, men shout and scream… all fades to black. Topics and shownotes Links Gunwallace's newspost about the death of Scott Adams - https://www.theduckwebcomics.com/news/2026/jan/19/scott-adams-1957-2026/ Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
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Tue, 20 January 2026
We're talking about the glory of war, or rather the hollowness of it. Not just war though but the symbols of power and violence associated with any kind of conflict, from something like a sword or pistol, all the way up to fighter jets, tanks and warships. These are all objects that viscerally symbolise power more than anything else, whatever appeal they have is rooted in their ability to enable their wielder to actively make changes in the world and set themselves above others. But why “hollow”? Because war, injury and the exercise of power over others is NOT sexy or at all glorious, rather it's the worst possible thing you can experience. We talk about that contradiction. War and violence is often sexualised, and I use that term correctly in this instance unlike the people who talk about the “sexualisation of women”- adult people are sexual by definition and cannot be “sexualised”, what they actually mean is “eroticised”, the distinction is important. How is war and violence sexualised? The superficial interpretation is to see power, weapons, and war as all “masculine”, but that is inadequate and facile because the lust for power, it's use and exercise is not limited by gender in any way, it's only been skewed to the masculine through historical sexism. As a young person I was seduced by the glorious imagery of war and weaponry through TV shows like Robotech and Starblazers, animes that make a specific point of venerating giant weapons in the form of transforming fighter jets, beweaponed mecha, and massive space battleships bristling with guns. Then of course there were things like the sword wielding Conan, The Three Musketeers, Robin Hood, King Arthur, Asterix and Obelix and their powerful fists, and all the heroes in WW2 movies fighting the good fight. It wasn't till adulthood when I began to question the appeal and allure of these things and realise the darkness they actually represent. But even though I better understand it now, I also realise that the attractiveness of power imagery is baked into my brain so it will always strike a chord with me, which is why I'm always exploring both sides of the equation in my comic Piny TA. As Tantz says in the Quackcast though: “The way to win is not to play”. Wise words for two reasons; the best use of any type of weaponry from swords, to guns, to fighter-jets, to warships, or even nuclear missiles is to only have them for the purpose of intimidation, if you can achieve your objective without ever committing violence and horror you've truly won because you didn't destroy resources, create further issues, damage your weapon, lose lives from either side, risk losing, or create many further complications and the risk of reprisal. The other reason is based on another interpretation: don't play, don't venerate the exercise of power through the use of war and violence focussed imagery and symbolism, then you won't perpetuate it. Have you ever been at all moved by “heroic” imagery, the power fantasy of holding a weapon, or the imagery of “righteous war”? Braveheart and Lord of the Rings are two that many love because of this topic.
Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Direct download: Quackcast_775_-_The_Hollow_Glory_of_War.mp3
Category:Webcomics -- posted at: 12:00am PST
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Tue, 13 January 2026
Why murders? Murders are a horrible thing and hopefully not something that many of us have much if any direct experience with in our lives. They're a high stakes event though that we can all relate to because none of us want to have that experience so it's something to be feared and also morbidly curious about. In action and horror genres the death of anyone but the main characters tends to be pretty meaningless and often common, but murder mysteries rightfully treat any single death as extremely serious things so that makes them much closer to real life in that way, along with the emotional resonance such things can have. We chat about what defines the genre and some of our fave examples, from the Chinese “Coroner's Diary”, anything by Agatha Christy, the “knives Out” series, to the excellent “Nero Wolfe Mysteries” adapted by Timothy Hutton in 2001 and more. What are your fave examples of the genre? Have you ever tried writing one? This week we have another best off from Gunwallace and this time it's Mindfold, which is newly finished! It completed its 10 year run on December the 26th.
Links Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
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Tue, 6 January 2026
We commonly think of conflicts as being good guys versus the bad guys, especially when we look back at history. When we learn more about them we see that things are in shades of grey rather than black and white, and clever war fiction will include quite a bit of that greyness. But the funny thing is that when it comes to real world conflicts, people involved in them often do not have the luxury of seeing things in grey, they often HAVE to pick a side, even if it's not one they personally support because it means their survival, the survival of their family, or their community. I find that aspect very interesting. The side we are on is often dictated by our family, our community, or our country, even if we don't support everything they do, sometimes they have our loyalty regardless. How do you handle war and divided loyalties in fiction, or even reality? This week Gunwallace is another best-off Gunwallace and I chose: Busty Solar - A heavenly pink cloudy future world of strawberry scented mists, dancing, sparkling lights, and golden rays of pure morning sunshine angling through.
Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
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The QuackCast features Ozoneocean, Banes, Tantz Aerine, and Pitface, talking about writing, movies, webcomics, art, politics, philosophy, sexuality, and everything else! We're the hosts of the oldest webcomic host on the net, Drunkduck.com, aka theduckwebcomics. 20 years this year!
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