Tue, 27 May 2025
Sometimes you get hooked into things, you become a fan and you wonder how you got there. A while ago you were laughing at those dorky, obsessed fans over there and now suddenly you're one of them! That's what we're talking about in this cast, the things that hook you in and our own stories about what we were unexpectedly hooked into. The idea came to me as I was making a coffee and signing the words to XTCs Great Fire. It's a silly song with lyrics about a fire burning in Noah's Arc and also in a house, which is a metaphor for the singer's growing love. XTC is a strange, very progressive British pop group from the 70s and 80s. They have some extremely thoughtful and intelligent songs about culture and social issues and many that are just foolish pop-songs and yet I like them all and happily sing along to them. But I wondered how I got there. It was 1994, I was extremely sick with chickenpox, trapped in my bed for weeks with nothing but books and my radio for company. Every so often the same few songs would come on the radio and I began to love them. I cant remember them all now but there was Spoonman by Sound Garden, Positive Bleeding by Urge Overkill, and Senses Working Overtime by XTC. Senses Working Overtime is a sort of a mediaeval chant and drone, paired with pure bubblegum pop about empirical philosophy. It's about our perception of the world and the difference between what we're told and what we personally experience. I find it beautiful. I had no idea why they kept playing that song though, it came out in 1982 and it wasn't being re-released, there was no reason for it to be played over and over at that time along with recently released hit songs. In fact I couldn't even track it down. Years later it was re-released on their best-off album, Fossil Fuel, but even THAT was hard to track down because none of the music shops stocked it or could order it for me. When I finally got it I listed to all the songs over and over and became a fan. I was indoctrinated! I love their crazy silly pop-songs and their intellectual stuff about the failings of society equally. In this Quackcast we have a few similar stories, like the way we were drawn in to Star Trek while we initially found it dorky, and things like Buffy the Vampire slayer, Harry Potter etc. Do you have stories about things you were hooked into? if so, what were the hooks? Did you know that I didn't even like comics till an art lecturer forced me to draw them and it wasn't till I was posting my comics on Drunk Duck that I actually started to appreciate comics in general?
Links Senses Working Overtime by XTC - https://www.youtube.com/watch?v=NrcemZpOmpI Featured comic: Featured music: Special thanks to:
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Tue, 20 May 2025
Do you like acting? Do you like being part of collabs or community projects? Do you like radio plays? If you answered yes to any of that the DD radio play is for you! Way back in 2011 we did our very first Drunk Duck Radio Play and NOW we're reviving the idea! We have a brand new DD Radio Play and we need YOU to be a part of it! In 2011 when we did our first play it was an amazing community project that so many of our great members participated in. Ally Heart wrote the script, many different people supplied voices for the characters, and even MORE people did comic pages for the comic version. In 2012 and 2013 Gunwallace wrote the scripts and people returned happily to be a part of it. Unfortunately around that time our site went through so troubled times and we lost focus for big community projects so there was never a fourth play… till now! Gunwallace has found the his 3rd script and that's what we wont YOU to join in with. Our DD plays are comedies focussed around a parody detective noir theme. The lead characters are always Maxwell McDuff, a gritty private detective, and Bill Duck who's an adventurer and world traveller hero type person. They get into all sorts of strange scrapes and daring mysteries. You can check out the latest scrip and see if you'd like to submit a voice tryout for any or all of the characters in the link in our shownotes. Also let us know if you'd like to have a go at the comic version! Special note- we had fun trying to do a live radio play version of our sexy collab comic Key of Dreams, which we'll now be uploading to the site. Lin in the shownotes. This week Gunwallace gave us a theme inspired by A Wing To the Stars - Melancholy, starkly blue waves of dim light in the glittering darkness of a dead galaxy.
Links Our NEW DD radio play script - https://www.theduckwebcomics.com/forum/topic/179981/ ALL THREE previous DD radio plays are here - https://www.theduckwebcomics.com/quackcast/episode-147-merry-xmas-dd-radio-play-omnibus-edition/ Our sexy collab comic NOW online!! - https://www.theduckwebcomics.com/Key_of_Dreams/ Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Direct download: Quackcast_740_-DD_Radio_play_4_planning.mp3
Category:Webcomics -- posted at: 3:00pm PST
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Tue, 13 May 2025
Artwork from Key of Dreams When you're working on a project with other people, a comic collaboration for example, it's usually best to decide on different roles for everyone according to what they're best at (writer, artist, layout design, pencils, inks, colour, backgrounds lettering etc), and let them handle it. You don't micromanage and make decisions for them. Basically they're the “experts” on those things now so you wait and see what they do. The idea for this Quackcast came to me after someone defended the super clunky Star Wars prequels with the old argument that George Lucas created them and he also created the original Star Wars so he must know best and certainly better than any “haters”. In reality though the prequels are an excellent example of why you MUST defer to people who know better. The original trilogy of Star Wars movies were created at a time when George was still a small fish in a big pond, he wasn't powerful or rich enough to have much control in the industry at that stage. He came up with great ideas (Star Wars, Indiana Jones etc), but had to rely on the studio system to get them made, which meant he had to collaborate with people who's job it was to make great movies: directors, script editors, Foley artists, casting directors, concept designers, model makers etc. As well as studio execs and producers. He had to compromise on what was feasible. But after the massive success of the movies, making a mint off of the sale of IP and merchandising, and his SFX studio Industrial Light and Magic being the industry standard, many years later when Luca worked on the prequels he had unrivalled power. He didn't have to defer to anyone anymore, he didn't have to collaborate or make compromises. He was the last word and he knew best… Except he didn't. In the years since he made those initial movies he hadn't directed much or written many scripts and the Prequels show that all too well with bad dialogue, clunky direction, bad plot choices etc. He even got rid of his expert model makers and all the work they did and used CGI instead because it gave him more control. TL,DR: The original Star Wars were good because they were made as collaborative projects by very experienced people while the prequels were mainly controlled by a guy who lacked a lot of expertise and it shows. I've worked in 2 collabs recently, Bottomless Waitress with Banes and Key of Dreams with Tantz and Banes. On both those projects we all have distinct roles and we stuck with them very easily! We worked within them and didn't ever bump into each other or try and take over anyone's role and so these are good examples of smooth collaborations which produce results people like. Bands are great examples of collaborative projects, especially when they're working with people who all get the chance to shine and handle their own roles. This is why I love Led zeppelin so much: back in the day Jimmy Page was the band leader and lead guitarist but he let each member handle what they were best at in their own way so it worked as a group of collaborative experts and you can really hear that in the sound! I ramble because I'm tired and I have a headache but I think this is an interesting point: You can't be an expert at everything so when you work with others let them handle what they do best and you do what you do best. There are many examples of great collaborative projects where many people working on them are great at what they do and come together to produce something magical. Some of my faves are Jeff Wayne's War of the Worlds (rock opera), Led Zeppelin, The Life of Brian, The Empire Strikes Back and more… What are yours? This week it's another best off from Gunwallace! The Jacket Comic - Wiry, punk, gritty, shiny and cool, this one jangles in on lyrical chords, sounding indie-rock with an almost Arabian flavour at times as the strings howl and echo up and down the scales. A rocky tune it for the coolest jacket in the world. Topics and shownotes Links Featured comic: Featured music: Special thanks to:
Join us on Discord - https://discordapp.com/invite/7NpJ8GS
Direct download: Quackcast_739_-_Deferring_to_Experts.mp3
Category:Webcomics -- posted at: 12:00am PST
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Tue, 6 May 2025
Ensemble casts is the topic for today! But what do we mean by that? The way I'm defining it for THIS Quackcast is that you have a group of main characters where any of them can function in a chief protagonist role for part of the story, they're all on the same side and they can work together in smaller groups or in one big group. This is a common structure for modern sitcoms and a lot other things like The Avengers, Star Trek the Next Generation, or Lord of the Rings for example. They're not just a group, but a group made up of “main characters”. One of the advantages of an ensemble cast as opposed to just a group or a one or two main characters is that they can share the load story-wise and make it much easier to develop new storylines and work your way out of holes and blocks. This is because they all have advanced character development and so create stories and pathways just in how they interact with each other, their differing world views and how they approach situations very differently. It's harder to develop multiple main characters but it's easier to maintain a story in the long run, especially if it's a long running story. Banes and I have an ensemble cast in Bottomless Waitress consisting of the three waitresses, Polly, Jane, and Francis. There are other characters like Nicky the truck driver, Wilfred the scientist, or Craig the bus-boy but they're not as important or developed. Each of the three ladies can independently drive a storyline on their own, they can work in tandem confronting each other or together against other characters of situations, or all three can work as one. There are a lot of combinations and possibilities. Do you have an ensemble cast? Do you like it when stories use one as opposed to more of a group with a leader or just one or two main characters? This week Gunwallace gave us a theme inspired by Plague Rat - a very dark, heavy, and serious intro leads up and into a beat heavy, 80s inspired, cool dance number that just drags you along and up out of the doldrums of the post-apocalyptic disaster of a plague-ridden, sad world, into the coloured lights and cool vibes of the dance floor!
Links Featured comic: Featured music: Special thanks to: VIDEO exclusive! Join us on Discord - https://discordapp.com/invite/7NpJ8GS
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The QuackCast features Ozoneocean, Banes, Tantz Aerine, and Pitface, talking about writing, movies, webcomics, art, politics, philosophy, sexuality, and everything else! We're the hosts of the oldest webcomic host on the net, Drunkduck.com, aka theduckwebcomics. 20 years this year!
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